All work produced under the agency of Odi alongside a team of expert designers, strategists and writers.
Speakeasy is accelerating innovation by making it easy for developers to create or consume any API.
APIs facilitate communication between two software components, which is often the initial stage for development. Speakeasy allows a single builder to harness the talent and work of hundreds in a couple lines of code with support through high-quality software development kits, API tooling, and developer tools. With their previous visual identity, Speakeasy was severely limited.
Before our project together, there were inconsistencies between their tone and visuals, and the brand was built on a bright and playful color palette that didn't really match who they are and what they offer. Brand elements lacked strategy, or at least a consistent conceptual narrative.
Innovative, Crafted, and Prolific were chosen as their three words. Innovative because they’re revolutionizing the game with machine-generated code. Crafted because they set an insanely high bar with quality, and Prolific because they push updates to their product incessantly.
Differentiation was very important, which meant exploring beyond the blues, purples, blacks, and blue-greens of their landscape. The Single Most Important Thing (aka SMIT) for this rebrand was to convey this idea of “Crafted by Design.”
Speakeasy pushes the boundary of what people thought was possible for machine-authored code, and their
tech writes code that has real craftsmanship behind it, and quickly.
Building on Speakeasy’s brand attributes, the new logotype is distinct and ownable. It consists of technical, monospaced letterforms in which the “A” character is crafted to create two forward slashes — a direct reference to API endpoints.
For the uninitiated, An endpoint is essentially the storage place of the resources an API needs to operate. They typically look a little something like this:
https://api.spotify.com/v1/albums/{id}
The secondary logomark of two slashes carries that motif forward. It’s perfectly suited and scalable for small-size applications.
Using yellow as a primary color is almost a refresh of the previous identity, which allowed us to carry over a bit of brand equity while avoiding the categorical clichés. We paired it with an off-black for high contrast, along with more warm-leaning neutrals.
We settled on Everett from Type Weltkern for the brand typeface. It’s a somewhat standard sans serif, but with its sharp angles and drastic cuts it feels technical in all of the right ways. We use Everett Mono for an additional, tech-forward accent.
During an early round, we explored wireframes as a concept, and while it wasn’t chosen as a logo direction, we pushed the idea further for Speakeasy’s visual language.
After all, Speakeasy at its core is about creating, managing, and consuming APIs — a highly technical and complicated endeavor — allowing developers to do so with better, more streamlined communication.
The wireframe assets can be simple and straightforward, or they can be more maximal.
For those more maximal applications, we developed an entire character set using our wireframe construction, because nothing calls to mind the concept of a speakeasy quite like a hidden, coded language.
To do so, we started with a clean 6x6 grid, then began designing letterforms according to our grid.
The wireframe characters can be scaled and cropped, or grouped together to include a hidden message in a composition. They can be used at high contrast as an intriguing visual.
Or they can be used more covertly with low contrast to create more of a textural background effect. Doing so also creates a nice grid structure within which to house content.
“Overall, I was really struck by the very strong process, and the bar that you set. I think this has definitely been the best run engagement that I've ever had with a contractor in all of my previous work, actually.”
-Simon Yu, Co-Founder, Speakeasy
We built this brand in 6 weeks. After the rebrand, Speakeasy went on to raise $11M in their seed/pre-seed round of fundraising, and an additional $15M in their Series A. Not all of that success can be chalked up to visual brand, but it’s one of the intanglibles that certainly helped in their evaluations. That’s a win in my book.
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With more than a decade of experience, Bud Thomas designs brand and identity systems that are equal parts strategic, conceptual, useful, and beautiful.
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